Telling the tale: Jan Blake (centre) with Kouame Sereba and Raymond Sereba. Picture credit: Chris Webb
Theatre: Canada Water Culture Space
Story: The Old Woman, The Buffalo and The Lion of Manding
Writers: Jan Blake, Kouame Sereba and Raymond Sereba
Artistic Advisor: Harmage Singh Kalirai
Review by Joy Francis
Storytelling is an intrinsic part of most cultures, none more so than on the African continent, with its numerous languages, dialects and tales, many of which are still unknown on these shores.
The Old Woman, The Buffalo and The Lion of Manding is one such story. First performed in 2009 by Adverse Camber Productions, this multilayered tale gives us a rich and deep taste of the lesser known Malian traditions.
Co-created and performed by one of Europe’s most vibrant storytellers, the charming Jan Blake, we hear the funny and epic story detailing the origins of The Birth of Sundiata Keita. This popular tale from the 13th century has been passed down in West Africa through griots and cultural guardians.
Accompanied by the musically dexterous brothers Kouame and Raymond Sereba, Blake firmly takes our collective hands and expertly guides us through the highs and lows of three formidable women: Kone, the old woman, abandoned by her community and forced to beg; her grand-daughter Sogolon Kedjou, also known as the buffalo woman due the hump on her back, destined to give birth to Sundiata Keita, The Lion of Manding and King of the Bright People; and Sassouma Berete, the first wife of the King Maghan Kon Fatta who is not best pleased when her husband takes with Kedjou to create a new heir to sit on what she sees as her son’s throne.
Moving seamlessly between entertaining storytelling and harmonious and precise singing in the style of the Gban people, with audience participation (learning how to ululate is a highlight), the lively trio make us part of the intriguing story without it descending into pantomime.
Adorned in Malian-influenced costumes, and playing traditional wooden instruments, such as the dodo, you are inspired to want to know more about Mali – and these women. The lyricism of the text – “You are a child of misfortune. Remove the shame from my eyes.” – is balanced with a nature-inspired mural backdrop with projected silhouettes of flowers and clouds.
A lot depends on Blake’s solid narration and vocal variety to keep the audience engaged throughout the two hour show (with interval). She succeeds. Though some aspects grated on my female sensibilities (being impregnated with a man’s seed), the story is largely accepted in the generous spirit in which it’s delivered.
Warm, cosy, captivating and enjoyable, this production is one all ages can enjoy, and learn from.